Abel Ferrara

Nicole Brenez ; translated from the French by Adrian Martin
Urbana : University of Illinois Press, 2007

ISBN: 0252074114

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Book description
In this concise study, Nicole Brenez argues for Abel Ferrara's place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray. Rather than merely reworking genre film, Brenze understands Ferrara's oeuvre as formulating new archetypes that depict the evil of the modern world. Focusing as much on the human figure as on elements of storytelling, she argues that films such as Bad Lieutenant express this evil through visionary characters struggling against the inadmissible (inadmissible behavior, morality, images, and narratives).

About the author
Nicole Brenze, prominent film critic and curator for the experimental cinema programs at the Cinémathèque française in Paris, teaches cinema studies at Universite Paris I/Pantheon-Sorbonne.
Adrian Martin is Research Fellow, Department of Film & Television Studies, School of English, Communications and Performance Studies, Faculty of Arts, Monash University and coeditor of the international magazine Rouge.

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